DC Vs Marvel

Across the UK this weekend, crowds of fans will swarm to the first screenings of Avengers: Age of Ultron, the $250m (£165m) sequel that marks the start of this year’s summer blockbuster season. But those who feel the market for superhero films has already reached saturation point, be warned: more than 25 are scheduled already over the next four years, as the two age-old comic book rivals, Marvel and DC, slug it out for supremacy.
Avengers, released by Disney-owned Marvel Studios, is at the forefront of the drive. Joss Whedon’s film is expected eventually to better its predecessor’s worldwide take of $1.5bn and is likely to take $200m on its US opening weekend alone. The movie is the latest in Marvel’s “Phase Two”, which refers to the second round of interconnected superhero films that also included last year’s hit Guardians of the Galaxy, which made more than $770m worldwide.
The final film in this phase will be Ant-Man, released 17 July, which stars Paul Rudd as a character who can shrink in size. Marvel has also unveiled dates for “Phase Three”, another nine forthcoming releases, including further outings for Captain America and Thor, taking the company up to 2019.
“It shows the direction in which Hollywood is going,” Matt Mueller, editor of Screen International, said. “They are all talking about ways of expanding their current franchises, rather than looking for more original ways to attract an audience. Studios are so reliant on franchises, and their shareholders are obviously happy they are doing all this. But you wonder if audience fatigue is going to come into play, and whether this is a dangerous game to play in the long term.”
Ben Affleck stars as Batman in DC Comics' Batman v Superman: Dawn of Justice, due in 2016.
Ben Affleck stars as Batman in DC Comics’ Batman v Superman: Dawn of Justice, due in 2016. Photograph: Zack Snyder

Rival DC Comics has eyed Marvel’s box-office success with envy and is now hoping to follow up the success of Christopher Nolan’s Dark Knight trilogy with a new set of superhero hits. Working with parent company Warner Bros, DC released Man of Steel in 2013 to a solid $668m at the box office and next year sees the much anticipated clash of the capes in Batman v Superman: Dawn of Justice. A trailer was released this week for the film, which will reboot the Batman story with Ben Affleck taking over the lead role from Christian Bale and Jeremy Irons starring as loyal servant Alfred, previously played by Michael Caine.But crucially, the film will also act as the springboard for other characters in the DC universe. While Marvel has made successes of lesser-known characters on the big screen, such as Iron Man and Guardians of the Galaxy, DC has struggled to score hits with anyone but their big two: Batman and Superman. Both Wonder Woman, played by Gal Gadot, and Aquaman (Game of Thrones’ Jason Momoa) will be introduced in the new film, then receive their own spin-off features. Aside from Batman v Superman, DC has scheduled dates for nine other releases up until 2020, including a reboot of Green Lantern, a character last played by Ryan Reynolds in a disappointing 2011 release.
DC aims to unite its characters in a team film, Justice League, the company’s equivalent of the Avengers.
Both firms are aiming at films that will put women in lead parts. Angelina Jolie has been in negotiations to direct Captain Marvel, a film that hopes to buck the trend of unsuccessful female superhero films that includes Supergirl, Catwoman and Elektra. DC has just hired Monster director Patty Jenkins to take on Wonder Woman.
Marvel's hit film Guardians Of The Galaxy, 2014.


Marvel’s hit film Guardians Of The Galaxy, 2014. Photograph: AP
They are also looking to widen their ethnic appeal. This summer’s Fantastic Four, the Netflix show Luke Cage and Marvel’s forthcoming Black Panther all feature African-American actors in lead roles.David Hughes, author of Comic Book Movies, believes that the industry’s renewed obsession with superheroes can be explained by one major factor: competition. “Whenever television threatens film, there’s always someone building a bigger mousetrap, to keep people in the cinema,” he said. “In the 60s it was Spartacus and Cleopatra, and now, just as streaming looks like it is threatening cinema, we are seeing a massive upswing in 2015. It could well be the biggest year in modern times, with superhero movies contributing massively to that.”
But both Marvel and DC are also making content for TV and streaming services to bring their characters to life. Marvel has worked with Disney-owned network ABC on Avengers-linked shows Agents of S.H.I.E.L.D and Agent Carter, which stars British actress Hayley Atwell. A deal with Netflix has also meant an interconnected new set of hero shows, which kicked off last month with Daredevil, a reinvention of the blind crime-fighting character, last played by Ben Affleck in 2003.
Netflix unveiled Daredevil last month.
Netflix unveiled Daredevil last month. Netflix Photograph: Netflix
 
Netflix has three other Marvel shows planned and then a miniseries which will bring all the four characters together, mirroring the way that the Avengers were handled on the big screen. There’s also a chance that both worlds might collide with Netflix chief content officer Ted Sarandos confirming that there have been discussions about including Netflix characters in Marvel’s cinematic universe.DC’s television plan has been notably less connected, with their shows Gotham, Arrow and The Flash existing separately from their theatrical offerings. This was most apparent with the recent casting of a different actor to play The Flash in a forthcoming movie from the one currently playing him on TV. Next up for DC on TV is a new take on Supergirl, who was last seen in a failed big-screen outing in 1984.
The competition between DC and Marvel has ramped up in recent years and, with Marvel in the box-office lead, Hughes believes a lighter tone has won them more fans. “It’s the fun factor,” he said. “What other outfit would take an unheard-of comic book like Guardians of the Galaxy and turn it into a huge box-office draw? The Marvel movies are fun, they don’t make you feel bad, they are worth seeing on the big screen – which is a great thing for cinema in general. The fun was was sorely missing from Man of Steel.”

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